Saturday, September 22, 2007

Bim's first gig!

The crazy things you do when you're on Sellaband.... would I have otherwise travelled two-and-a-half hours forth and two-and-a-half hours back to see Bim do their first 6-or-7-song performance on a small open air festival in Chesham? No! Of course not! Most likely because I would have never even heard of Bim...
So, I thought that being in London for a work conference would make it easy to hop over to Chesham, a short distance on the map. Not so! Busses getting stuck in rush hour and bad underground connections made me fearful of missing Bim's 16:30 performance, and when I got to realize that part of the tube journey was to be on a replacement bus service due to engineering works I was sure to miss it. It was only because I was already on that bus not knowing how long it would take that I decided to *not* get out and head back.
When I finally found Francis Yard, the location of the Drawing Room Gallery/cafe which organized the festival, it was about 18:00 so when I saw Bim on stage lugging instruments I knew I had just missed them!...
Wait a minute... it does take them an awful lot of time to get those instruments off stage... and why are they tuning and sitting down? It took a while before I believed my luck, and as it turned out they had been waiting for their own personal 'fanclub' (including Katy Davis from Gobblynne animation, who made the Second Person animation videos) to arrive on the same bus service I was on.
So, about the gig: it was good to have seen it! While delaying the performance had obviously not helped to quiet the inevitable nerves of a first gig, Bim proved they really don't need the two covers they were playing. I'm pretty sure the only reason they did play those covers is the time and effort it takes to ready all their material for live performance. Bim's own songs really stand being performed live on stage, and I believe they are accessible enough to not need famous filler songs to keep the audience's attention. It was interesting to see how the cello player they brought with them added to the material, and that the songs do not depend on the electronics that were used on their home studio recordings. Speaking of electronics... the PA system used was rather basic, proving that Rebecca's and Tim's voices are truly good even without layers of filtering and reverb. Not to say there weren't the occasional uncertain notes, but I'm very sure that was also because it just is hard to sing harmonies with just one voice per vocal group - especially when you're not used to using amplification or singing outside. More live performances will surely make Bim a live treat just as much as their recorded songs are on your own CD or mp3 player. So when they do play that concert hall in perhaps two years' time, I can say "I've seen their first gig!".

As a final note: being late did make me miss the stage acts of two other Sellaband artists, Cris Tanzi and Rachaelrachael, who made this a partial Sellaband happening (VB)

Thursday, September 20, 2007

Revolution

With all the discussions about the future essentials of Sellaband on the forums I couldn't help but think of some four guys' own revolution about 35 years ago. A revolution of a different kind, but some of their lyrics' lines do strike a chord with me. All rights respected!

You say you want a revolution
Well, you know
We all want to change the world
You tell me that it's evolution
Well, you know
We all want to change the world
But when you talk about destruction
Don't you know that you can count me out
Don't you know it's gonna be all right
all right, all right

You say you got a real solution
Well, you know
We'd all love to see the plan
You ask me for a contribution
Well, you know
We're doing what we can
But when you want money
for people with minds that hate
All I can tell is brother you have to wait
Don't you know it's gonna be all right
all right, all right
Ah

ah, ah, ah, ah, ah...

You say you'll change the constitution
Well, you know
We all want to change your head
You tell me it's the institution
Well, you know
You better free you mind instead
But if you go carrying pictures of chairman Mao
You ain't going to make it with anyone anyhow
Don't you know it's gonna be all right
all right, all right
all right, all right, all right
all right, all right, all right

(The Beatles, lyrics, and Banksy, grafitty)

A hundred times thousand

Perhaps it is because Vegas Dragons preferred to walk and not run across the finish line, but them reaching 50k a week or so ago did not induce parts fatigue as it used to do before. Instead, investment in current runners for eternal fame Bulletproof Messenger and Julia Marcell kept on steadily increasing. Now for a different statistic, however. This is the week in which 100 (one hundred) artists were at or above $1000 - not counting the 8 already at their target. To me this number indicates a virtual threshold and indicator if an artist can really attract a crowd. Arbitrary, yes, but a good sign nevertheless. Sellaband attracts good music.